I constructed No Blue Without Yellow using individual paintings from consequential times of Van Gogh's life and sculpted them in three dimensional space. I sampled hundreds of the artist’s brush strokes to wrap my interpretive world within his paintings.

The film opens luring closer and closer to discover the possibility of stepping inside a fantastical sphere. The observer is slowly drifting into Van Gogh’s world, carried by the rhythm of a waltz. Van Gogh’s memories are sculpted within his paint strokes. His memories are alive within the film, but just for a fleeting moment. The fantasy lasts simply two minutes, but within that short time the observer is immersed in a painters lifetime.

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